Entertainment
The Witch: Part 2. The Other One Review – A Blood-Soaked Tribute To Akira
Park Hoon-jung continues to provide a refreshing take on superhumans with an emphasis on violent action and a well-developed world.
Park Hoon-jung continues to provide a refreshing take on superhumans with an emphasis on violent action and a well-developed world.
The Northman is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful.
Fantastic Beasts: The Secrets of Grindlewald feels like most third films in a franchise; it may boast an elaborate cast and flashy special effects but it's all built around a trash story that’s poorly written.
Buried deep within Ambulance’s loud, flashy action, sickening editing, overstimulated filming techniques, and a screenplay that seems like it was fished out of a port-a-potty is a somewhat thrilling film.
Uncharted is a gold mine filled with disappointment. It has extraordinary source material that is squandered, soured, and spit on throughout the course of this lackluster film.
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from K.C. Houseman’s house cat being named Fuzz Aldrin
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The King’s Man is a prequel that lacks what made the original film and its sequel so entertaining. Its second half is somewhat worthwhile, but its painfully slow war of handlebar mustaches makes it a real chore just to reach that goat infested free fall of a final explosive mountaintop fight.
Spider-Man: No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Nightmare Alley is expertly crafted in a way that every sequence feels relevant later on and it leaves you with a lot to ponder after it ends.
Marvel's Eternals is an ugly looking film featuring relatively light action and a cast that is collaboratively horrendous.
Antlers is a wickedly gruesome body horror film that is both wonderfully devastating and unapologetically fear inducing.
Venom: Let There Be Carnage ultimately feels like the lobster scene from the original film stretched out across 90-minutes of absurdity.
No Time to Die has some really fantastic cinematography and Ana de Armas is superb for the short amount of time she’s around, but the 25th James Bond film overall is painfully formulaic, predictable, and corny.
Kate thrusts Mary Elizabeth Winstead into a flat cinematic world filled with nothing but dull predictability and boring fight scenes.
Marvel's Shang-Chi and the Legend of the Ten Rings is a frustrating experience if you’re a fan of Chinese cinema.
While the Ryan Reynolds-led, video game-inspired Free Guy has an amazing concept, its execution is extremely underwhelming.
A horror-comedy 'whodunit' based on Ubisoft's game of the same name, the potential of Werewolves Within is far greater than what we received.
A half-hearted message on immigration and a lack of creativity leave The Forever Purge as one of the more lackluster entries in the franchise.
With its sloppy storytelling and overall decimation of the protagonist’s maliciousness, Cruella is a shaggy, unkempt dog of a film.
Netflix's The Mitchells vs. The Machines is an animated love letter to being different, set against a world-ending AI uprising.
Nobody is an action thriller that proves Bob Odenkirk is the obscenity-spewing, balls of steel action star we never knew we needed.
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