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Chris Sawin

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Entertainment

The Witch: Part 2. The Other One Review – A Blood-Soaked Tribute To Akira

Park Hoon-jung continues to provide a refreshing take on superhumans with an emphasis on violent action and a well-developed world.

Bounding Into Comics
/
by Chris Sawin

Entertainment

The Northman Review: A Gory Viking Epic Forged In Boisterous Greatness

The Northman is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Fantastic Beasts: The Secrets of Dumbledore Review: A Broken Franchise Filled With Disjointed Magic

Fantastic Beasts: The Secrets of Grindlewald feels like most third films in a franchise; it may boast an elaborate cast and flashy special effects but it's all built around a trash story that’s poorly written.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Ambulance Review: Action At Its Dumbest And Gaudiest

Buried deep within Ambulance’s loud, flashy action, sickening editing, overstimulated filming techniques, and a screenplay that seems like it was fished out of a port-a-potty is a somewhat thrilling film.

Bounding Into Comics
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by Chris Sawin

Entertainment

Uncharted Review: Staleness From Bland Beginnings

Uncharted is a gold mine filled with disappointment. It has extraordinary source material that is squandered, soured, and spit on throughout the course of this lackluster film.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Moonfall Review: It’s Raining Moon

With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from K.C. Houseman’s house cat being named Fuzz Aldrin

Bounding Into Comics
/
by Chris Sawin

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Entertainment

The King’s Man Review: A Stifling War Of Handlebar Mustaches

The King’s Man is a prequel that lacks what made the original film and its sequel so entertaining. Its second half is somewhat worthwhile, but its painfully slow war of handlebar mustaches makes it a real chore just to reach that goat infested free fall of a final explosive mountaintop fight. 

Bounding Into Comics
/
by Chris Sawin

Entertainment

Spider-Man: No Way Home Review – Riding the Nostalgia Train

Spider-Man: No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Nightmare Alley Review: A Murky Noir That Tinkers With Greatness

Nightmare Alley is expertly crafted in a way that every sequence feels relevant later on and it leaves you with a lot to ponder after it ends.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Eternals Review: Bland, Bloated, and Overbearing

Marvel's Eternals is an ugly looking film featuring relatively light action and a cast that is collaboratively horrendous.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Antlers Review: Bleak, Scary Horror Done Right

Antlers is a wickedly gruesome body horror film that is both wonderfully devastating and unapologetically fear inducing.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Venom: Let There Be Carnage Review: Idiotic Gold

Venom: Let There Be Carnage ultimately feels like the lobster scene from the original film stretched out across 90-minutes of absurdity.

Bounding Into Comics
/
by Chris Sawin

Entertainment

No Time To Die Review: A Monotonous Bore Of A Spy Film

No Time to Die has some really fantastic cinematography and Ana de Armas is superb for the short amount of time she’s around, but the 25th James Bond film overall is painfully formulaic, predictable, and corny.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Kate Review: A Painfully Uninspired Action Film

Kate thrusts Mary Elizabeth Winstead into a flat cinematic world filled with nothing but dull predictability and boring fight scenes.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Shang-Chi and the Legend of the Ten Rings Review: A Ten-Ring Circus

Marvel's Shang-Chi and the Legend of the Ten Rings is a frustrating experience if you’re a fan of Chinese cinema.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Free Guy Review: Artificial Excellence

While the Ryan Reynolds-led, video game-inspired Free Guy has an amazing concept, its execution is extremely underwhelming.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Werewolves Within Review: A Sleepover with Guns

A horror-comedy 'whodunit' based on Ubisoft's game of the same name, the potential of Werewolves Within is far greater than what we received.

Bounding Into Comics
/
by Chris Sawin

Entertainment

The Forever Purge Review: America, A Ho-Hum Dystopia

A half-hearted message on immigration and a lack of creativity leave The Forever Purge as one of the more lackluster entries in the franchise.

Bounding Into Comics
/
by Chris Sawin

Entertainment

A Quiet Place Part II Review: Long Time, No Hear

Bounding Into Comics
/
by Chris Sawin

Entertainment

Cruella Review: The Film Equivalent Of A Fashion Victim

With its sloppy storytelling and overall decimation of the protagonist’s maliciousness, Cruella is a shaggy, unkempt dog of a film.

Bounding Into Comics
/
by Chris Sawin

Entertainment

The Mitchells vs. The Machines Review: Hybrid Animation Hilarity

Netflix's The Mitchells vs. The Machines is an animated love letter to being different, set against a world-ending AI uprising.

Bounding Into Comics
/
by Chris Sawin

Entertainment

Nobody Review: One Kitten Shy of a Beatdown

Nobody is an action thriller that proves Bob Odenkirk is the obscenity-spewing, balls of steel action star we never knew we needed.

Bounding Into Comics
/
by Chris Sawin
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